342 Kate Valentine “A Woman of a Certain Rage”

Kate Valentine is one of the instigators of the feminist neo-burlesque movement. The Va Va Voom Room was her weekly variety show running at the beloved cabaret space Fez Under Time Café in NYC. Her hilariously deadpan mistress of ceremonies character Miss Astrid traveled all over the globe entertaining audiences with her quick improvisational wit.

Concurrently, Ms. Valentine wrote and starred in many sketch comedy shows and directed and created works of experimental dance theatre. Directing credits include The Terrorism of Everyday Life, which won a Herald Angel Award at the Edinburgh Festival.

Get tickets to this Sunday’s, October 6, 2024, performance of A Woman of a Certain Rage, 8pm at the Orpheum in Saugerties. It is Kate’s first full length solo show. A romp, a rant, a bloodletting, about living in a female body in the 21st century. A vivisection of the American medical system. Your Doctor is in and he has been diagnosed with white male privilege. Ms. Valentine is filling your prescription for dismantling the patriarchy!”

This 70-minute show utilizes raw personal stories, physical comedy, dance, and pure undiluted female energy. A Woman of a Certain Rage is a call to action — to project our Rage out into the world and to utilize that heat to propel us into a dynamic harmonious future.

Today Kate shared about why she created this performance, and some of the background around the content of the performance including the physical and emotion experiences that led to a deeper awareness of the harms she’d experienced in life. A goal for this show is to help galvanize support for the long overdue passage of the ERA through.

You can find and follow Kate on Instagram  for updates on performances and more.

Happy New Moon Solar Eclipse on Wednesday.

https://foreverconscious.com/intuitive-astrology-libra-solar-eclipse-october-2024

And

https://www.moonomens.com/new-moon-solar-eclipse-in-libra-2024/

“Solar Eclipses also remind us that confusion, disorientation, and chaos often precede clarity: they invite us to deepen our introspection and encourage us to come back to alignment before continuing to move forward.”

We listened to music from these ladies.

Today’s show was engineered by Ian Seda from Radiokingston.org.

Our show music is from Shana Falana!

Feel free to email me, say hello: she@iwantwhatshehas.org

** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IT

http://iwantwhatshehas.org/podcast

ITUNES | SPOTIFY

ITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2

SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCA

Follow:

INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/

FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

 

341 “Jo Salas” Mrs. Lowe-Porter and Playback Theatre

Jo Salas is a writer, a social activist, and devoted grandmother. She grew up in New Zealand and now lives two hours north of New York City near woods and mountains. Jo’s fiction includes the novels Dancing with Diana (Codhill Press, 2015), and Mrs. Lowe-Porter (JackLeg Press, 2024). Her short stories have appeared in literary journals and anthologies. Her story “After,” in the anthology Facing the ChangePersonal Encounters with Global Warming was nominated for the Pushcart Prize. Other short stories have won or been shortlisted for awards.

Jo is also the cofounder of Playback Theatre, an original form of interactive theatre based on personal stories now practiced worldwide. Her nonfiction writing has chronicled and explored Playback Theatre since its inception, with many publications including Improvising Real Life: Personal Story in Playback Theatre, now published in ten translations and a 20th anniversary edition.

Today, we spend much of our time discussing MRS. LOWE-PORTER  which is based on the life of Helen Lowe-Porter, a brilliant, ambitious, warm-hearted, and self-deprecating woman who struggles for her own literary voice against the conventions of her time and the demands of the two male luminaries in her life: the legendary novelist Thomas Mann, whose works she translates, and her charismatic husband Elias.

It’s “[a]n exploration of the complicated life of the translator of Thomas Mann – who is a writer in her own right. Salas asks difficult questions about work and gender – whose words should take precedence? Whose work? Whose needs? Salas uses the real life of Helen Tracy Lowe-Porter as the foundation for this fascinating novel.”
–Roxana Robinson, author of Dawson’s Fall.

Jo shares about what led her to write the book, her own resonance with Helen’s story, what women contend with professionally and creatively when the world is not necessarily asking for their output, and then also another of Jo’s major contributions to the world in her 50 year effort to develop and share Playback Theatre. They have a new series of performances beginning October 6th at the Muse in Rosendale.

Today’s show was engineered by Ian Seda from Radiokingston.org.

Our show music is from Shana Falana!

Feel free to email me, say hello: she@iwantwhatshehas.org

** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IT

http://iwantwhatshehas.org/podcast

ITUNES | SPOTIFY

ITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2

SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCA

Follow:

INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/

FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

340 “The Impact of Immigration”

Today is a continuation of my conversation with Marielena Ferrer about immigrants and immigration, and it’s impact on our economy and communities.

Articles that we discussed during the show today.

https://www.fwd.us/news/americans-and-immigration/#

https://www.americanimmigrationcouncil.org/research/why-don%E2%80%99t-they-just-get-line

https://www.cato.org/blog/14-most-common-arguments-against-immigration-why-theyre-wrong

https://www.ilr.cornell.edu/mobilizing-against-inequality/post/five-ways-undocumented-immigrants-are-powering-american-economy

Plus a little moon talk… Happy Full Moon!

Today’s show was engineered by Ian Seda from Radiokingston.org.

Our show music is from Shana Falana!

Feel free to email me, say hello: she@iwantwhatshehas.org

** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IT

http://iwantwhatshehas.org/podcast

ITUNES | SPOTIFY

ITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2

SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCA

Follow:

INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/

FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

339 Amber Rubarth “Musician and Creative”

Today on the show I get to chat with Amber Rubarth! Amber left home at 17 years old to become a chainsaw sculptor in Nevada.  At 21, she quit and decided to begin writing songs and teaching herself guitar.  One of her early originals was awarded Grand Prize in NPR’s Mountain Stage New Song contest.  She has performed hundreds of stages around the world, from the early days opening for a flea circus at a Texas theme park, to performing an original duet with Jason Mraz at Carnegie Hall, to full orchestral arrangements of her songs with the Ithaca Chamber Orchestra woven into classical works.  She moves fluidly between genres, creating a unique palette of instrumentation for what best serves the song.

After many years of solo touring, Amber lights up these days with collaborations in both film and music.  She has written original songs and score for numerous films including Sundance festival winner ‘Joan Rivers: A Piece of Work’ and the super-marathon documentary ‘Desert Runners.’   She co-founded ‘The Paper Raincoat,’ a Brooklyn-based iTunes Indie Artist Spotlight band featured in Disney’s ‘The Last Song,’ the CW’s ‘One Tree Hill,’ and Paste Magazine who said “We think the world might be a little better if everyone heard this record.” In 2016 she recorded a live-to-tape single microphone album with her folk trio ‘Applewood Road’ which the London Sunday Times gave 5 stars, calling it “a flawless set that has to be the most haunting release of the past year” which led to performances at Glastonbury Music Festival, Cambridge Folk Festival, a UK tour supporting Mary Chapin Carpenter, and her original arrangement and performance featured in the ‘BBC Sisters in Country’ documentary with Dolly Parton, Linda Ronstadt and Emmylou Harris.

Her most recent album, Cover Crop, is 15 reinterpreted songs exploring the disconnection and remembrance of our interconnectivity with nature. Self-produced and performed by Amber Rubarth in the woods of the Hudson Valley, New York.

Today Amber shares with us how she went from chainsaw sculpture to musician, what’s different about her musical work then and now, how she takes care of herself (with her Matcha ritual), why and how she made the Cover Crop album, and plays a few songs for us too!

Amber on Instagram

Here’s the Tarot Reading from Nikki Fogerty for those who want to revisit.  The Emperor and The Ace of Swords… Perfectly timed to fold into our discussion of the masculine. “With great clarity and purpose, I become the leader I am meant to be.”

Get tickets to the Gail Ann Dorsey and Amber Rubarth benefit concert this Saturday, September 14th.

Here’s the playlist with associated songs for today’s show.

Today’s show was engineered by Ian Seda from Radiokingston.org.

Our show music is from Shana Falana!

Feel free to email me, say hello: she@iwantwhatshehas.org

** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IT

http://iwantwhatshehas.org/podcast

ITUNES | SPOTIFY

ITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2

SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCA

Follow:

INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/

FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

338 Rewilding the Masculine

Inspired by Sophie Strand’s The Flowering Wand: Rewilding the Sacred Masculine, I meander through my own thoughts on the patriarchy, matriarchy, the feminine and the masculine. We receive two cards, The Castle and Gnosis, from Kim Kran’s Archetypes Guidebook and then talk about the moon and her magic.

Here’s your New Moon Report from Tanaaz at Forever Conscious.

And here’s the associated playlist.

Today’s show was engineered by Ian Seda from Radiokingston.org.

Our show music is from Shana Falana!

Feel free to email me, say hello: she@iwantwhatshehas.org

** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IT

http://iwantwhatshehas.org/podcast

ITUNES | SPOTIFY

ITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2

SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCA

Follow:

INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/

FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

Instagram
Follow by Email